Wind in his hair is a melodic neocrust band with influences ranging from atmospheric black metal to hardcore punk. The bandname refers to a first nation chief called "Wind in his hair" from the movie "Dances with wolves". The name was chosen to show solidarity with indigenous peoples and their struggles without exploiting native identity in any form.
The lyrics are all about nature, primitivism, anarchism and respect for Mother Earth. All members are vegans (and also straight edge) and support the ideas of rewilding and the concepts of sustainability.
The debut called "Earthwrecker" features five songs. An atmospheric folk intro starts the album. The following tracks combine rhythmic parts of neocrust bands like Fall of Efrafa with atmospheric and melodic elements of US black metal bands like Wolves in the Throne Room or Alda. All in all it is a very atmospheric album with calm and quiet parts, but also harsh and aggressive passages.
The overall concept deals with finding ones place on a planet which is destroyed by modern humanity. With the last wild places being replaced by concrete wastelands the album tries to remind us, that there is no life possible on earth without respecting nature and protecting the wild.
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lyrics
This is what a collapse looks like.
Gasping for air that is foul hanging above the barren land.
Thirsting for a quenching swallow of water.
But the chemical loaded flaming wet running from the tap
speaks of insanity and death.
Stolen land, once rich and abundant
providing for the people that took care thousands of years.
Stolen ground, now merely a wasteland.
The knowledge of Mother Earth consumed by your ruthless greed.
The tribes sworn to the great law of peace stand in defence.
Longing for freedom against the tarsands ripping reign
of corruption and degradation.
Standing strong! Blocking roads!
Linking arms! Defending the earth!
Throwing their tools to the ground!
For anarchy and freedom!
Standing strong! Blocking roads!
Defeat the thieves! Linking arms!
Wow. I did not expect violin and cello from a crust band.
Wow. I did not expect crust from a band that has both a violinist and a cellist.
Wow. Nekobibu
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable... Jordan Vauvert